Käthe Kollwitch
German (1867 – 1945)
I have no right to withdraw from the responsibility of being an advocate. It is my duty to voice the sufferings of people, the sufferings that never end and are as big as mountains.
So wrote Käthe Kollwitz – artist, socialist, pacifist, and grieving mother – five years after her son Peter died on the battlefield in World War I. In 1937, she began working on her Pietà in his memory as war loomed again. In that second great bloodletting she would lose her grandson, also named Peter, killed in action as a draftee for Hitler, whose regime was hounding Kollwitz for her dissident activities.
In 1993, an enlarged casting of the Pietà was installed as the centerpiece of Germany’s National Memorial to the Victims of War and Tyranny on Berlin’s Unter den Linden boulevard. The sculpture is situated in the Neue Wache guardhouse, once a nationalistic shrine that played a central role in the Nazis’ annual parade for war heroes.
Today, the remains of an unknown soldier and an unknown concentration camp prisoner rest beneath Kollwitz’s statue. Directly overhead, the oculus allows sunlight, rain, and snow to fall onto the agonized mother. “Blessed are those who mourn” – this place draws us into the heart of this cryptic beatitude, evoking the suffering of mothers all over the world, from Syria to the Congo.
Berlin photographer Walter Mason writes: “Kollwitz’s statue, alone in the middle of the room, commands a respect that is immediately understood by anyone who enters. The tourists come in off the street and, without exception, fall silent. The mother with her son is so wrapped up in her sorrow that she seems unapproachable; the visitors stand at a distance and partake in her grief.”
–The Editors
Self Portrait Laughing, 1888-89
Self Portrait, 1890
Self Portrait, 1891-92
Female Figure, 1891
Woman Praying, 1892
Self Portrait, 1893
The Weavers’ Revolt (1893-98), Sheet IV
Poverty, etching and drypoint, Statliche Kunstsammlungen Dresden, 1893-94
Death, 1893-97
The March of the Weavers, 1897
The Weavers’ Revolt, Riot, 1894
The Weavers’ Revolt, The End, 1894
Council, Etching, 47,5 x 34,9 cm, The Metropolitan Museum of Art, New York, 1895
Woman at the Cradle Etching, 1897
Self Portrait, 1898
Uprising, 1899
Crouching Mother Pressing Her Child to Her Bosom, 1899
The Child’s head on his Mother’s hand, 1900
Woman with Orange, colour etching, aquatint, and lithograph on paper mounted on grey-violet card, 16 x 27.9 cm, 1901
Female Nude with Green Shawl Seen from Behind, 1903
Grieving Mother, black chalk and graphite on greenish wove paper, 1903
Frau mit totem Kind (Woman with dead child), 1903
Pietà, 1903
Sitting woman with crossed arms, 1904
1905
Schlachtfeld (Battlefield), etching, drypoint, aquatint, 1907
The Peasant War, The Ploughman, 1907
The Prisoners, 1908
Arbeitslosigkeit (Unemployment), 1909
Self Portrait with Hand on Brow, 1910
Run Over, 1910
Mother with Child in Arms, 1910
1910
Liebesszene I, Schwarze Kreide, 48.8 x 31.5 cm; Käthe Kollwitz Museum Köln, ca. 1909-10
Tod und Frau (Death and the Woman), lithograph, 1910
Self Portrait, 1912
The Lovers, Plaster, MFA Boston, 1913
The Wait, 1914
Anguish, the Window, 1916
Mothers, 1919
Widows and Orphans, 1919
1920
The Volunteers, 1920
Self Portrait, 1920
Outbreak, 1921
The Carmagnole, 1921
Schlachtfeld, 1921
Whetting the Scythe, drypoint and aquatint, Whitworth Art Gallery, The University of Manchester, UK, 1921
Killed in Action, 1921
Memory Page for Karl Liebknecht: The Living and the Dead, 1921
The Volunteers, 1922
The Widow II, 1922
The Widow, front cover from War, 1922
The Mothers, 1923
The Parents, plate 3 from War, woodcut, 1923
The People, plate 7 from War, 1922
Hunger, 1923
Self-Portrait, 1923
Death Seize the Children, 1923
The Survivors, 1923
Das Letzte (The Last Thing), Woodcut, MoMA, 1924
Wehrt dem Hunger! Kauft Ernährungsgeld, 1924
(Fight Against Hunger! Buy Food Coupons)
Brotherhood, 1924
Never Again War, 1924
Vienna is Dying! Save the Children, 1924
Infant Mortality, 1925
Anom., Käthe Kollwitz, 1927
Maria and Elisabeth, 1928
Käthe Kollwitz by Lotte Jacobi, c. 1930
The Parents, Vladslo German Soldiers’ Cemetery, Vladslo (Belgium), 1932
Self Portrait, 1933
Self Portrait, 1934
Call of Death, from the series « Death », 1934
Young Girl in the Lap of Death, from the serie Death, 1934
Death Seizes the Children, 1934
Death on a Roadside, 1935
Family. Lithograph. second edition. From the portfolio Twenty-one Drawings of The Late Years, ca. 1935
Mother with two Children, Bronze, 1932-37
Pietà, 1937-38
Self Portrait Facing Right, lithograph National Gallery of Art, DC, 1938
1934
More informations : http://weimarart.blogspot.com/2010/07/kathe-kollwitz.html